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SUBURBIA: INTERVIEW WITH PARKER POSEY

By Prairie Miller

If your taste in movies runs along edgy and offbeat lines, you're sure to run into Parker Posey at the plexes because she's in just about every one of those kinds of flicks coming out lately. The 27 year old actress graduated from a spell as conniving teen Tess on the tv soap As The World Turns, to go on to play temperamental women with personality in everything from Dazed And Confused, Party Girl, Amateur, Flirt,Kicking And Screaming and Sleep With Me to Waiting For Guffman, The Daytrippers and Drunks. In Richard Linklater's coming of age strip mall noir subUrbia, Posey's an existential rock publicist who worries that there might be more to life than "yogurt, the stairmaster and shaving the bikini line." The actress gave her version as to what's right and wrong with the movie world today.

Prairie Miller: You've had some wild overnight successes as an actress and could probably pick and chose your roles. Why do you stick with the independents?

Parker Posey: Independent filmmakers write women better and they write women stronger. Independents like Richard Linklater tend to be more open to women who have a sense of humor and colorful personalities. They appreciate them, as opposed to big budget movies that make women either soft and pretty or sexy and malicious.Independent filmmakers get it more about women. They're not intimidated.

My whole thing is those older men who are just so terrified, it's sad, that women started to work. But the filmmakers who are younger, do you know what I mean, they saw their mothers working, so they're used to women working and women being strong. So they write stronger women, that's been my experience.

PM: Would you take a role in a Hollywood movie?

PP: Sure, yeah, where do I sign? I'll play those wife roles, sure, get a million dollars to scramble some eggs. I'd want to make it more than that, of course. But when you have a male star. they don't encourage much from the female star.

PM: Are you anything like the characters you play?

PP: Am I wild and outspoken? I don't think so, but people tell me I am. I guess there is a part of me that is very much like the people I play, or I wouldn't be cast as them, right?

PM: Whatever possessed you to want to become an actress?

PP: I was always daydreaming and stuff like that when I was a child. I'd watch Sonny & Cher, and I was always Sonny. But I was more shy than I seem to be. Like people go, you must have been bouncing off the walls, but I was really a nice kid. Like I was the one who would hold the girl's hand who had the skin rash. I grew up in a small southern town, so I had a lot of time to daydream and watch all the insane southern people around me. It doesn't get any more bizarre than the south. But the south is very much a part of me.

PM: How have you managed to find those multi-dimensional characters to play and bypass the bimbo parts that are mostly around you?

PP: I throw the scripts across the room, I just throw them across the room. They offend me, I can't believe the crap that is out there. And I can't believe people stand for it. I don't know, it seems to be the popular thing for actresses to take their shirts off and to appear on every cover of every magazine looking like a porn star. That seems to be all the rage of the past five or ten years that I'm very offended by. Let Madonna do it, she has a good spin on it.

I mean, everyone's trying to look sexy in a way that is a cliche, from sixteen year old stars to actresses in their forties and fifties. It's just been done too much. How many times are we going to see some actress with a sheet on the cover of Rolling Stone? Women should just go no, I won't do that. It's what I say, no, I'm not gonna do that.

Copyright 1997 by Prairie Miller

NOTE: This article came from www.bigstar.com

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Parker Posey,
Queen of Independent Films

By Joshua Mooney/
Entertainment News Wire

LOS ANGELES - Parker Posey is such an impossibly lyrical name it sounds made up, like a steamy Southern belle in a lost Tennessee Williams play.

In fact. the woman who bears this moniker is a Southerner by birth. But Parker Posey is also an enjoyable contradiction. She bears no hint of a Mississippi accent (she was raised there), and she's spent the last six years as a fixture in Manhattan's hip demimonde, becoming one of independent film's most sought-after actresses.

"Audiences are smarter than the movies that get made and the movies that do well," says Posey, lighting the first of several cigarettes as she explains why she has no aspirations to make big Hollywood movies.

Posey's movies are usually smart and small and don't make big money. She's graced a steady stream of noteworthy indie films, including Richard Linklater's Dazed and Confused, Gregg Araki's The Doom Generation, Greg Mottola's The Daytrippers and Hal Hartley's Flirt and Amateur.

Last winter Posey, 28, wowed the crowds at the Sundance Film Festival when she appeared in three films, including The House of Yes, out today. The hat-trick won her the indie film showcase's Special Recognition for Acting Award, an award created especially for her.

The House of Yes inspired Time magazine to label Posey "Queen of the Indies," but the actress maintains a fierce independence from all labels.

"That's what the media does," she says. "They hype people up so they can knock them down. Guess what? Acting's a job. It's what I went to school to do. It's what I've always wanted to do. I'm just being the person I was brought up to be."

NOTE: This article came from the Detroit News, October 17th,
1997 & was taken from http://www.detnews.com/SCREENS/
9710/17/parker/parker.htm.

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